martes, 16 de marzo de 2010

Belle and Sebastian - The Smiths - La voz (siempre la voz) de Morrissey - Great Britain y aledaños (Parte I parte indefinida) - There is a Light...



























The boy with the thorn in his side
Behind the hatred there lies
A murderous desire for love
How can they look into my eyes
And still they don't believe me ?
How can they hear me say those words
Still they don't believe me ?
And if they don't believe me now
Will they ever believe me ?
And if they don't believe me now
Will they ever, they ever, believe me ?
Oh ...

The boy with the thorn in his side
Behind the hatred there lies
A plundering desire for love
How can they see the Love in our eyes
And still they don't believe us ?
And after all this time
They don't want to believe us
And if they don't believe us now
Will they ever believe us ?
And when you want to Live
How do you start ?
Where do you go ?
Who do you need to know ?


Oh ...
Oh no ...
Oh ...
Laa ...


Hay cosas que aunque hayan sucedido en las islas Británicas hacia los años 70 y 80 del siglo pasado, tengan una letra asequible o tal y cual, marquen tendencia y eso en cierto modo, es como si en realidad hubieran tenido lugar justo en esos mismos años -años de los que no hemos sido doblemente testigos-, años que nunca se apagarán.
(¿Por qué la melacolía queda en Kensington Gardens, donde Peter Pan, cerca de donde aquellos jóvenes altos se rebelaban contra la reina o escribían en los muros grises consignas de tenue victoria o tan sólo un adiós? Pero eso es poco, decadente, así que luego la fuerza se extiende por Manchester y, -pero la reina ha muerto-, y...)




Take me out tonight
Where there's music and there's people
And they're young and alive
Driving in your car
I never never want to go home
Because I haven't got one
Anymore

Take me out tonight
Because I want to see people and I
Want to see life
Driving in your car
Oh, please don't drop me home
Because it's not my home, it's their
Home, and I'm welcome no more

And if a double-decker bus
Crashes into us
To die by your side
Is such a heavenly way to die
And if a ten-ton truck
Kills the both of us
To die by your side
Well, the pleasure - the privilege is mine

Take me out tonight
Take me anywhere, I don't care
I don't care, I don't care
And in the darkened underpass
I thought Oh God, my chance has come at last
(But then a strange fear gripped me and I
Just couldn't ask)

Take me out tonight
Oh, take me anywhere, I don't care
I don't care, I don't care
Driving in your car
I never never want to go home
Because I haven't got one, da ...
Oh, I haven't got one

And if a double-decker bus
Crashes into us
To die by your side
Is such a heavenly way to die
And if a ten-ton truck
Kills the both of us
To die by your side
Well, the pleasure - the privilege is mine

Oh, There Is A Light And It Never Goes Out
There Is A Light And It Never Goes Out
There Is A Light And It Never Goes Out
There Is A Light And It Never Goes Out
There Is A Light And It Never Goes Out
There Is A Light And It Never Goes Out
There Is A Light And It Never Goes Out
There Is A Light And It Never Goes Out
There Is A Light And It Never Goes Out

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